
A Bush Christening by A B Paterson
On the outer Barcoo where the churches are few,
And men of religion are scanty,
On a road never cross’d ‘cept by folk that are lost
One Michael Magee had a shanty.
Now this Mike was the dad of a ten-year-old lad,
Plump, healthy, and stoutly conditioned;
He was strong as the best, but poor Mike had no rest
For the youngster had never been christened.
And his wife used to cry, “If the darlin’ should die
Saint Peter would not recognize him.”
But by luck he survived till his reverence arrived,
Who agreed straightaway to baptize him.
Now the artful young rogue, while they held their collogue,
With his ear to the keyhole was listenin”;
And he muttered in fright, while his features turned white,
What the devil and all is this christening’?”
He was none of your dolts—he had seen them brand colts,
And it seemed to his small understanding,
If the man in the frock made him one of the flock,
It must mean something very like branding.
So away with a rush he set off for the bush,
While the tears in his eyelids they glistened--
“Tis outrageous,” says he, “to brand youngsters like me;
I’ll be dashed if I’ll stop to be christened!”
Like a young native dog he ran into a log,
And his father with language uncivil,
Never heeding the “praste”, cried aloud in his haste
“Come out and be christened, you devil!”
But he lay there as snug as a bug in a rug,
And his parents in vain might reprove him,
Till his reverence spoke (he was fond of a joke)
“I’ve a notion,” says he, “that’ll move him.
“Poke a stick up the log, give the spalpeen a prog;
Poke him aisy—don’t hurt him or maim him;
‘Tis not long that he’ll stand, I’ve the water at hand,
As he rushes out this end I’ll name him.
“Here he comes, and for shame! Ye’ve forgotten the name--
Is it Patsy or Michael or Denis?”
Here the youngster ran out, and the priest gave a shout--
“Take your chance, anyhow, wid Maginnis’!”
As the howling young cub ran away to the scrub
Where he knew that pursuit would be risky,
The priest, as he fled, flung a flask at his head
That was labelled “Maginnis’s Whisky!”
Now Maginnis Magee has been made a J.P.,
And the one thing he hates more than sin is
To be asked by the folk, who have heard of the joke,
How he came to be christened Maginnis!
When the Children Come Home by Henry Lawson
On a lonely selection far out in the West
An old woman works all the day without rest,
And she croons, as she toils 'neath the sky's glassy dome,
`Sure I'll keep the ould place till the childer come home.'
She mends all the fences, she grubs, and she ploughs,
She drives the old horse and she milks all the cows,
And she sings to herself as she thatches the stack,
`Sure I'll keep the ould place till the childer come back.'
It is five weary years since her old husband died;
And oft as he lay on his deathbed he sighed
`Sure one man can bring up ten children, he can,
An' it's strange that ten sons cannot keep one old man.'
Whenever the scowling old sundowners come,
And cunningly ask if the master's at home,
`Be off,' she replies, `with your blarney and cant,
Or I'll call my son Andy; he's workin' beyant.'
'Git out,' she replies, though she trembles with fear,
For she lives all alone and no neighbours are near;
But she says to herself, when she's like to despond,
That the boys are at work in the paddock beyond.
Ah, none of her children need follow the plough,
And some have grown rich in the city ere now;
Yet she says: `They might come when the shearing is done,
And I'll keep the ould place if it's only for one.'
He's an old grey horse, with his head bowed sadly,
And with dim old eyes and a queer roll aft,
With the off-fore sprung and the hind screwed badly,
And he bears all over the brands of graft;
And he lifts his head from the grass to wonder
Why by night and day the whim is still,
Why the silence is, and the stampers' thunder
Sounds forth no more from the shattered mill.
In that whim he worked when the night winds bellowed
On the riven summit of Giant's Hand,
And by day when prodigal Spring had yellowed
All the wide, long sweep of enchanted land;
And he knew his shift, and the whistle's warning,
And he knew the calls of the boys below;
Through the years, unbidden, at night or morning,
He had taken his stand by the old whim bow.
But the whim stands still, and the wheeling swallow
In the silent shaft hangs her home of clay,
And the lizards flirt and the swift snakes follow
O'er the grass-grown brace in the summer day;
And the corn springs high in the cracks and corners
Of the forge, and down where the timber lies;
And the crows are perched like a band of mourners
On the broken hut on the Hermit's Rise.
All the hands have gone, for the rich reef paid out,
And the company waits till the calls come in;
But the old grey horse, like the claim, is played out,
And no market's near for his bones and skin.
So they let him live, and they left him grazing
By the creek, and oft in the evening dim
I have seen him stand on the rises, gazing
At the ruined brace and the rotting whim.
The floods rush high in the gully under,
And the lightnings lash at the shrinking trees,
Or the cattle down from the ranges blunder
As the fires drive by on the summer breeze.
Still the feeble horse at the right hour wanders
To the lonely ring, though the whistle's dumb,
And with hanging head by the bow he ponders
Where the whim boy's gone -- why the shifts don't come.
But there comes a night when he sees lights glowing
In the roofless huts and the ravaged mill,
When he hears again all the stampers going --
Though the huts are dark and the stampers still:
When he sees the steam to the black roof clinging
As its shadows roll on the silver sands,
And he knows the voice of his driver singing,
And the knocker's clang where the braceman stands.
See the old horse take, like a creature dreaming,
On the ring once more his accustomed place;
But the moonbeams full on the ruins streaming
Show the scattered timbers and grass-grown brace.
Yet he hears the sled in the smithy falling,
And the empty truck as it rattles back,
And the boy who stands by the anvil, calling;
And he turns and backs, and he "takes up slack".
While the old drum creaks, and the shadows shiver
As the wind sweeps by, and the hut doors close,
And the bats dip down in the shaft or quiver
In the ghostly light, round the grey horse goes;
And he feels the strain on his untouched shoulder,
Hears again the voice that was dear to him,
Sees the form he knew, and his heart grows bolder
As he works his shift by the broken whim.
He hears in the sluices the water rushing
As the buckets drain and the doors fall back;
When the early dawn in the east is blushing,
He is limping still round the old, old track.
Now he pricks his ears, with a neigh replying
To a call unspoken, with eyes aglow,
And he sways and sinks in the circle, dying;
From the ring no more will the grey horse go.
In a gully green, where a dam lies gleaming,
And the bush creeps back on a worked-out claim,
And the sleepy crows in the sun sit dreaming
On the timbers grey and a charred hut frame,
Where the legs slant down, and the hare is squatting
In the high rank grass by the dried-up course,
Nigh a shattered drum and a king-post rotting
Are the bleaching bones of the old grey horse.
The Bush by James Lister Cuthbertson
Give us from dawn to dark
Blue of Australian skies,
Let there be none to mark
Whither our pathway lies.
Give us when noontide comes
Rest in the woodland free –
Fragrant breath of the gums,
Cold, sweet scent of the sea.
Give us the wattle’s gold
And the dew-laden air,
And the loveliness bold
Loneliest landscapes wear.
These are the haunts we love,
Glad with enchanted hours,
Bright as the heavens above,
Fresh as the wild bush flowers.
The Muse of Australia By Henry Kendall
Where the pines with the eagles are nestled in rifts,
And the torrent leaps down to the surges,
I have followed her, clambering over the clifts,
By the chasms and moon haunted verges.
I know she is fair as the angels are fair,
For have I not caught a faint glimpse of her there;
A glimpse of her face and her glittering hair,
And a hand with the Harp of Australia?
I never can reach you, to hear the sweet voice
So full with the music of fountains!
Oh! when will you meet with that soul of your choice,
Who will lead you down here from the mountains?
A lyre-bird lit on a shimmering space;
It dazzled mine eyes and I turned from the place,
And wept in the dark for a glorious face,
And a hand with the Harp of Australia!
Old Australian Ways by A. B. "Banjo" Patterson
The London lights are far abeam
Along the shore the gaslights gleam,
And down the Channel, groping blind,
Towards the land we left behind
The good old land of "never mind",
The narrow ways of English folk
They bear the long-accustomed yoke
But all our roads are new and strange,
The vagabonding love of change
That drove us westward of the range
The city folk go to and fro
They never feel the breezes blow
They never hear in blossomed trees
Of wild birds making melodies,
Nor catch the little laughing breeze
Our fathers came of roving stock
And we have followed field and flock
By miner's camp and shearing shed,
We followed where our fortunes led,
With fortune always on ahead
The wind is in the barley-grass,
The breezes greet us as they pass
The parakeets go screaming by
And from the swamp the wild-ducks cry
Their long-drawn note of revelry,
So throw the weary pen aside
For we must saddle up and ride
And we must travel far and fast
To find the Spring of Youth at last,
And call back from the buried past
When Clancy took the drover's track
He drifted to the outer back
By rolling plain and rocky shelf,
He reached at last (oh lucky elf!)
The Town of Come-and-help-yourself
And if it be that you would know
Then you must saddle up and go
Beyond the reach of rule or law,
In Nature's homestead -- filled with awe
You then might see what Clancy saw
Out Back by Henry Lawson
The old year went, and the new returned, in the withering weeks of drought;
The cheque was spent that the shearer earned, and the sheds were all cut out;
The publican's words were short and few, and the publican's looks were black-
And the time had come, as the shearer knew, to carry his swag Out Back.
For time means tucker, and tramp you must, where the scrubs and plains are wide,
With seldom a track that a man can trust, or a mountain peak to guide;
All day long in the dust and heat- when summer is on the track-
With stinted stomachs and blistered feet, they carry their swags Out Back.
He tramped away from the shanty there, when the days were long and hot,
With never a soul to know or care if he died on the track or not.
The poor of the city have friends in woe, no matter how much they lack,
But only God and the swagman know how a poor man fares Out Back.
He begged his way on the parched Paroo and the Warrego tracks once more,
And lived like a dog, as the swagmen do, til the western station shore;
But men were many, and sheds were full, for work in the town was slack-
The traveller never got hands in wool, though he tramped for a year Out Back.
In stifling noons when his back was wrung by its load, and the air seemed dead,
And the water warmed in the bag that hung to his aching arm like lead.
For in times of flood, when plains were seas and the scrubs were cold and black,
He ploughed in mud to his trembling knees, and paid for his sins Out Back.
And dirty and careless and old he wore, as his lamp of hope grew dim;
He tramped for years, til the swag he bore seemed part of himself to him.
As a bullock drags in the sandy ruts, he followed the dreary track,
With never a thought but to reach the huts when the sun went down Out Back.
He chanced one day when the north wind blew in his face like a burnace-breath.
He left the track for a tank he knew- twas a shorter cut to death;
For the bed of the tank was hard and dry, and crossed with many a crack.
And, oh! it's a terrible thing to die of thirst in the scrub Out Back.
A drover came, but the fringe of law was eastward many a mile:
He never reported the thing he saw, for it was not worth his while.
The tanks are full, and the grass is high in the mulga off the track,
Where the bleaching bones of a white man lie by his mouldering swag Out Back.
For time means tucker, and tramp they must, where the plains and scrubs are wide,
With seldom a track that a man can trust, or a mountain peak to guide;
All day long in the flies and heat the men of the outside track,
With stinted stomachs and blistered feet, must carry their swags Out Back.
Bellbirds by Henry Kendall
By the channels of coolness the echoes are calling,
And down the dim gorges I hear the creek falling;
It lives in the mountain where moss and the sedges
Touch with their beauty the banks and the ledges.
Through breaks of the cedar and sycamore bowers
Struggles the light that is love to the flowers;
And, softer than slumber, and sweeter than singing,
The notes of the bell-birds are running and ringing.
The silver-voiced bell-birds, the darlings of day-time,
They sing in September their songs of the May-time;
When shadows wax strong, and thunder-bolts hurtle,
They hide with their fear in the leaves of the myrtle;
When rain and the sunbeams shine mingled together,
They start up like fairies that follow fair weather;
And straightway the hues of their feathers unfolden,
Are the green and the purple, the blue and the golden.
October, the maiden of bright yellow tresses,
Loiters for love in the cool wildernesses;
Loiters, knee-deep, in the grasses to listen.
Where dripping rocks gleam and the leafy pools glisten:
Then is the time when the water-moons splendid
Break with their gold, and are scattered or blended
Over the creeks, till the woodlands have warning
Of songs of the bell-bird and wings of the morning.
Welcome as waters unkissed by the summers
Are the voices of bell-birds to thirsty far-corners,
When fiery December sets foot in the forest,
And the need of the wayfarer presses the sorest,
Pent in the ridges for ever and ever,
The bell-birds direct him to spring and to river,
With ring and with ripple, like runnels whose torrents
Are toned by the pebbles and leaves in the currents.
Often I sit, looking back to a childhood
Mixt with the sights and the sounds of the wildwood,
Longing for power and the sweetness to fashion.
Lyrics with beats like the heart-beats of passion;
Songs interwoven of lights and of laughters
Borrowed from bell-birds in far forest rafters;
So I might keep in the city and alleys
The beauty and strength of the deep mountain valleys,
Charming to slumber the pain of my losses
With glimpses of creeks and a vision of mosses.
The Days When We Went Swimming
By
Henry Lawson
The breezes waved the silver grass,
Waist-high along the siding,
And to the creek we ne'er could pass
Three boys on bare-back riding;
Beneath the sheoaks in the bend
The waterhole was brimming
Do you remember yet, old friend,
The times we "went in swimming"?
The days we "played the wag" from school
Joys shared - and paid for singly
The air was hot, the water cool
And naked boys are kingly!
With mud for soap the sun to dry
A well planned lie to stay us,
And dust well rubbed on neck and face
Lest cleanliness betray us.
And you'll remember farmer Kutz
Though scarcely for his bounty
He leased a forty-acre block,
And thought he owned the county;
A farmer of the old world school,
That grew men hard and grim in,
He drew his water from the pool
That we preferred to swim in.
And do you mind when down the creek
His angry way he wended,
A green-hide cartwhip in his hand
For our young backs intended?
Three naked boys upon the sand
Half buried and half sunning
Three startled boys without their clothes
Across the paddocks running.
We've had some scares, but we looked blank
When, resting there and chumming,
One glanced by chance upon the bank
And saw the farmer coming!
And home inmpressions linger yet
Of cups of sorrow brimming;
I hardly think that we'll forget
The last day we went swimming.
The Women of the West By George Essex Evans
They left the vine-wreathed cottage and the mansion on the hill,The houses in the busy streets where life is never still,The pleasures of the city, and the friends they cherished best:For love they faced the wilderness—the Women of the West. The roar, and rush, and fever of the city died away,And the old-time joys and faces—they were gone for many a day;In their place the lurching coach-wheel, or the creaking bullock-chains,O’er the everlasting sameness of the never-ending plains. In the slab-built, zinc-roofed homestead of some lately taken run,In the tent beside the bankment of a railway just begun,In the huts on new selections, in the camps of man’s unrest,On the frontiers of the Nation, live the Women of the West. The red sun robs their beauty and, in weariness and pain,The slow years steal the nameless grace that never comes again;And there are hours men cannot soothe, and words men cannot sayThe nearest woman’s face may be a hundred miles away. The wide bush holds the secrets of their longing and desires,When the white stars in reverence light their holy altar fires,And silence, like the touch of God, sinks deep into the breastPerchance He hears and understands the Women of the West. For them no trumpet sounds the call, no poet plies his artsThey only hear the beating of their gallant, loving hearts.But they have sung with silent lives the song all songs aboveThe holiness of sacrifice, the dignity of love. Well have we held our fathers’ creed. No call has passed us by.We faced and fought the wilderness, we sent our sons to die.And we have hearts to do and dare, and yet, o’er all the rest,The hearts that made the Nation were the Women of the West. No Foe Shall Gather Our Harvest by Mary Gilmore
Sons of the mountains of Scotland,
Welshmen of coomb and defile,
Breed of the moors of England,
Children of Erin's green isle,
We stand four square to the tempest,
Whatever the battering hail-
No foe shall gather our harvest,
Or sit on our stockyard rail.
Our women shall walk in honour,
Our children shall know no chain,
This land, that is ours forever,
The invader shall strike at in vain.
Anzac!...Tobruk!...and Kokoda!...
Could ever the old blood fail?
No foe shall gather our harvest,
Or sit on our stockyard rail.
So hail-fellow-met we muster,
And hail-fellow-met fall in,
Wherever the guns may thunder,
Or the rocketing air-mail spin!
Born of the soil and the whirlwind,
Though death itself be the gale-
No foe shall gather our harvest
Or sit on our stockyard rail.
We are the sons of Australia,
of the men who fashioned the land;
We are the sons of the women
Who walked with them hand in hand;
And we swear by the dead who bore us,
By the heroes who blazed the trail,
No foe shall gather our harvest,
Or sit on our stockyard rail.
Pioneers By Frank Hudson
We are the old-world people,
Ours were the hearts to dare;
But our youth is spent, and our backs are bent,
And the snow is on our hair.
Back in the early fifties,
Dim through the mist of years,
By the bush-grown strand of a wild, strange land
We entered - the Pioneers.
Our axes rang in the woodlands,
Where the gaudy bush-birds flew,
And we turned the loam of our new-found home,
Where the eucalyptus grew.
Housed in the rough log shanty,
Camped in the leaking tent,
From sea to view of the mountains blue,
Where the eager fossickers went.
We wrought with a will unceasing,
We moulded, and fashioned, and planned,
And we fought with the black, and we blazed the track,
That ye might inherit the land.
Here are your shops and churches,
Your cities of stucco and smoke;
And the swift trains fly, where the wild cat's cry
O'er the sad bush silence broke.
Take now the fruit of our labour,
Nourish and guard it with care,
For our youth is spent, and our backs are bent.
And the snow is on our hair.
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